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Rock ‘n’ roll is a wide genre of music that incorporates a ton of different sound imprints. My advice may seem a bit broad, but ultimately you’re always free to try things and see what works for you! Let’s just say, in terms of the sound you’re going for, you’re playing in a band that does classic covers and original songs in the same set. If you’re playing some classic guitar lines, perhaps switching between rhythm and lead guitar, you need an amp that can handle those differences with an all-around good tone.

However, sometimes the music pours out too fast, or I have to cram a bunch of writing into a single night to meet some kind of deadline, then there’s less of an opportunity to analyze oneself and the only thing to do is trust that the little musical navigator will stop you from repeating yourself… Both methods are absolutely terrifying!

There are plenty of online tutorials to guide you through the technical editing practices depending on the software you use, but it’s important to ensure each episode makes sense and flows well. Have someone with neutral ears listen before you publish if you can.

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NBS allows you to see who is interacting with you on social media, even breaking down the information further to reveal how many men versus women are mentioning you or retweeting you on Twitter. Knowing who is not only a fan but who has taken the extra step to interact with you online is incredibly powerful information — potentially indicating who might be your next community of superfans, or superfans-in-the-making!

Let’s take it back a notch. You don’t have to memorize every single note on every string in every fret; that’s because of how the guitar is tuned and organized. We know that if we play open strings on the guitar, we will get the following notes:

Many microphones also feature built-in “roll off” switches, which filter out unused bass frequencies to prevent unwanted noise. Another common feature is a pad, which lowers the input volume of the microphone. This can be very useful when dealing with particularly boisterous speakers who tend to clip the microphone even at low gain levels.

The first two lines are matched with the same repeated musical phrase and end rhyme, and the second two lines have a new rhyme and a new melodic phrase.

Soundfly welcomes new voices each month to offer unique perspectives, shine a light on unexpected musical worlds, and help our readers find their sound.

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Sitting up in your chair, hold the djembe between your legs, angled behind them and underneath your chair. Your hands should be held out flat, parallel to the ground, with thumbs angled up to the ceiling a bit so they’re elevated from the rest of your hand.

Dre DiMura is a professional guitarist, songwriter, and author. While his friends were studying for the SATs, Dre was already touring the world with Gloria Gaynor, Dee Snider, Palaye Royale and Evol Walks. He’s a musician and he’s played one on TV too. You may see him at your local enormo-dome on tour with Diamanté.

When pitching to venues, being completely honest about what you can deliver is essential for building trust and solid relationships for years to come. A promoter might ask: “What’s your draw for Kansas City?” If it’s 25, say 25, even if that means you won’t get booked. If it’s zero, say zero, but say you’re willing to boost Facebook ads in the area and send a bunch of press releases out.

With overwhelmingly positive results, we’re happy to share a few select testimonials of Soundfly’s Beginner Harmonic Theory course directly from our students.

Finally, we come to the latest album in the list, although Ambiant Otaku is, like many of the others, the debut solo album of a legendary minimalist artist. Tetsu Inoue has been active since the early ’90s and has collaborated with other electronic artists such as Bill Laswell, Pete Namlock, Taylor Deupree, and others. Enjoy this last spacey, spectral, synthesized voyage!