Funnily, his music also set off debates across Europe about the new “trend” towards effeminate, sentimental, and “cowardly” music! Despite its popularity, people were worried composers were taking the modern opera in feminine directions. And perhaps to make matters worse, Queen Marie Antoinette rather loved his work and invited him to Paris to compose for the Academie Royale de Musique. We won’t go into the competitive “compose off” between he and Christof Gluck, but it is rather humorous that he had half of Paris up in arms about whether they’d support his music or his rival’s and declare themselves as either a Piccinnist or a Gluckist.
The resources in timbre are also quite limited, as the piece is composed for a single instrument. The piano is a great instrument with regards to dynamic range, but not quite as versatile in terms of timbre. The problem that springs from these limitations, especially the first, is how to fulfil the needs of a musical composition to provide enough variety so that the music would engage the listener, have forward momentum, and contain a sense of tension and resolution, which is fundamental for musical syntax.
Get into the writing room with confidence and excitement next time you’re working with a total stranger on a co-writing song project with these 7 tips.
Explore Soundfly’s wide array of free online courses and expand your musical skills over your lunch break! Here’s just a few free courses you can choose from: How to Create a Killer Musician Website, Theory for Bedroom Producers, Touring on a Shoestring, and How to Get All the Royalties You Never Knew Existed. Or check out our 4-week coaching program, The Headliners Club, and work with one of our professional Soundfly Mentors to reach your musical goals!
Mahea Lee is a classically trained pianist and composer who has a degree from a jazz school and leads an electro-pop band. Her greatest musical passion is lyrical songwriting, but she’s been known to write the occasional fugue. She graduated from Berklee College of Music, where she majored in Contemporary Writing and Production and minored in Music Theory. For more Mahea, check out Soundlfly’s course, The Improviser’s Toolkit.
The right kick drum sound can make or break the energy of your song, and the way the rest of the instruments stand up in mixing. Here’s how to choose it.
This course is for producers and DAW users who have no trouble generating ideas, but tend to veer off track and spend all their creative energy on the production, leaving the actual song behind too early in the process. It’s also for any non-professional songwriters (musicians, composers, synthesists) who produce music at home, but lack structure in their process. The course is genre-agnostic, but is best suited for those who lean heavily on their computer to make music.
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One of the keys to obtaining this sound is fluctuation. Drive your synth sound through a piece of hardware or a plugin until you can hear the warmth and compression. Then place a regular old EQ on your chain, high-passing at 120Hz and low-passing around 6kHz. This will give you that blunted, warm sound. Then, in whatever soft synth you’re using, start firing up your LFOs (low frequency oscillators). Set them to a moderate speed and depth (nothing crazy, we’re going for chill vibes) and start routing them to various settings.
But that being said, inspiration isn’t always easy to find, and when you get stuck in your journey to find it, sometimes it’s not clear where to turn to hunt for more. Yet one of the most overlooked places to find fresh new ideas is actually right in front of your face, like right now: blogs!
It is true that vinyl manufacturing can take a little bit of time. And that is actually one of the biggest reasons we’re partnering with as many pressing plants as we can. The production process is more-or-less dependant on the size of the plant and on the unit quantities, so we try to shop around as much as possible for the best deal.
Now that you’ve got a nice, loud vocal sitting right up in your face, it’s time to add a little space with reverb and delay. Stereo effects are great for creating width, while mono effects work better for pushing the vocal back in the mix and adding depth.